Wednesday, 16 May 2012

Its only wednesday?

My baby don't mess around,
Because she loves me so,
And this I know for sure,
But does she really want to,
But can't stand to see me walk out the door?

On Monday, Nigel Farage of UKIP stated in all seriousness that the current Eurozone crisis could see the rebirth of National Socialism in Europe.

With all respect Mr. Farage, you are a fucking idiot.

We've finally boiled down to the last fortnight of university. We have our german grammar exam tomorrow, followed by one on the German student movement of the 1960's next week. Yesterday I had my French oral exam, in which I may as well have doodled in my own shit for all the good it did my degree. Hopefully the upcoming ones will be a little more successful.

Oh yeah, my Britains got Talent updates. What happened to them? I can't even remember who was in the penultimate programme, so I'm afraid there's not gonna be a post for any eager people wanting to know more. Long story short, that performing dog who I said probably wouldn't win ended up winning. It was good, but not that good.

Thursday, 10 May 2012

Britain's Got Talent 2012, day 4

In the dark, for a while now,
I can't stay very far,
I can't stay much longer,
Riding my decision home ..

Wednesday's winner was Sam Kelly, a straight man trapped in a gay man trapped in a bisexual man's body. The ladies will love him, if not for his singing qualities then because he's the only bloke in the final 10 so far who looks like he could fight someone off if they tried to sexually assault him. The others who made the cut are the inanely named Nu Sxool, who probably won only because they were kids.

Wednesday's dropouts ..

Chica Latina -  the singing hairdresser. Good enough singer, but the outfit only really made her attractive in a bovine sort of way and I didn't really like her face. David Walliams comment "you ooze sex" doesn't quite conjure up the image I think he was going for.

Malakai Paul - the little black kid who I swear was also one of the dancers of Twist and Pulse Dance Company. Won the audition after breaking down from stage fright (potential 2013 contestants: crying is a sure-fire audition winner and a brilliant excuse for the judges to kick you off without having to say you're crap). He was good tonight, but did have a little cry into Dec's jacket when he didn't make the final. If I were ever to cry on someones shoulder, it would be Dec.

Gatis Kandis - the poor fucking bloke. Never in television has the sadistic freak show mindset been better personified. In the audition, it might have been funny because he was really struggling and in the early stages, thats almost acceptable. To make him go back out for the live show was cruel. Keep telling yourself that he really knows why people are laughing.

The Sugar Dandies - two gay guys ballroom dance. This act mostly led to comparisons to me and my friend Dan. Given the choice, I prefer the Del Boy and Rodney comparison.

Beatrix von Bourbon - her sexy burlesque routine was good but again, a little work on the name wouldn't go amiss. I get that she needs a glamorous burlesque stage name, but it doesn't help when a girl is sensually taking off all her clothes and all I can think about is how nice a chocolate biscuit would be.

Be Minor - girl group. Meh.

Brynolf and Ljung - stonking magicians. Maybe not Royal Variety, but insanely talented.


 I miss Dennis Egel already.



Britain's Got Talent 2012, day 3

Is there still magic in the midnight sun?
Or did you leave it back in '61?
In the cadence of a young man's eyes,
I wouldn't dream so high ..

This one's a little late, I apologise.

The Loveable Rogues got through, which I'm quite chuffed about because they actually seem pretty cool. Enjoyable to watch and listen to, presumably because they just seem more down to earth than the array of crazy people they battled against to get here. The other one is Molly Rainford, the 11 year old who sang It Must Have Been Love, which was a little awkward. It wasn't anything mindblowing, but at least she can sing well.

Falling by the wayside were:

Ashley Elliott - played the xylophone. His brief 'story' bit that came on before his act was him being a farmer with his parents somewhere remote looking, in a very The Hills Have Eyes-looking setup. He was good at playing xylophone, but no dice.

The Zimmers - admirable for the determination, confidence, defiance of expectation thing, but not actually that good and occasionally a little cringey.

Honey Shazad - pretty and soulful. She was good.

Area 51 - mindblowing. Should have been in the final hands down. Easily the most effort and as much coordination skill as the street-dance groups.

Twist and Pulse Dance Company - I originally mistyped that as 'compnay', which I think they should consider using. Twist and Pulse Dance Compnaaaaayyyy, pronounced like that. The little black kid saved the act from boring, but seriously, when don't they?

Lucky - will give me nightmares forever. The walking on her back thing was too close to The Grudge for my liking and the creepy china doll paint is exactly what it says on the tin. if she'd managed to pour the cup of tea with her feet perfectly, it would have been terrifying. Amanda Holden's comment "It was like Alice in Wonderland on acid" would have been good if Lewis Carroll hadn't written Alice in Wonderland while already on acid.

Dennis Egel - on some level, he should have won by default. What a man. It's the kind of act that you imagine goes home to his hotel room after filming, rings his mates in Germany and says 'guys, this is really going too far. The Brits actually think I'm serious; the bet's off." The outfit was a definite upgrade from the auditions, I prefer his Asgardian style helmet over the gold shower cap. And nothing broke this time.


Stay Tuned.

Monday, 7 May 2012

Britain's Got Talent 2012, day 2

Something's starting today,
Where did he go, why you want it to be?
Well you know November has come,
When it's gone away ..

Second round was on tonight. Amanda Holden had a better choice of dress.

The first act to go through, and rightfully so, was the mind blowing opera duo Jonathan and Charlotte. That kid IS Hurley from Lost and a definite Hagrid in the making but he can definitely sing, even if it does ocasionally look like he's doing a huge hard poo when he hits some of the higher notes. The girl on the team is still pretty good, though if she hasn't already, she'll be teaching Hurley the meaning of 'the friendzone' in weeks to come.

The other act through tonight were Kai and Natalia, the ballroom dancers, who were loads better than the other generic dance groups that there were. As if that guy's only about 16.

Tonights losers:

Four corners - dance group, same old, same old. The only redeeming feature of this group was the pink haired girl, but that in itself became a drawback because nobody cared about the 20 other guys she was sharing the stage with. Even Alesha caught herself out during the judges comments with something like "Mmm, you are talented and passionate and .. oh, in fact, all the rest of you were good too, yeah .."

Cascade - they do some impressive stuntman choreography, but really, who's gonna let the French win Britain's got Talent?

Karizma Krew - danced. In a group.

The Show Bears - I vaguely remember something similar a few years back. These guys are more like cruise ship entertainment, and not just because of the sailor outfits.

Fish on Percussion - actually not bad, I always find drummers quite cool. If he'd just gotten rid of all the people dancing around him. Apparently he's a frequent percussionist in Ibiza and played at Beyonces VIP afterparty in Egypt. Why he's here I don't really get.

Graham Blackledge - when you list cool instruments, the organ doesn't usually make the cut. Though having said that, the bloke playing it didn't exactly rescue the act. He was a little weird, and not in a classic stage fright way. I see a future for him as an ever-so-slightly-awkward musician, shilling his BGT fame around, before ending up at Butlins as the backing musician in a restaurant, along with some 17 year old boy-girl combo called something shit like 'Bezerque' or 'Misteree'.

Paige Turley - 14 year old scottish singer. Makesh my houshemate Kellie do her besht Sean Connery voice by acshident when she comesh on shtage. She wasn't bad, but I'm liking the fact that we've got some acts which aren't just singers going through. I reckon we'll pick up enough singers like her in the next few days.


You stay classy San Diego.


Britain's Got Talent 2012, day 1

When the paralytic dreams that we all seem to keep
Drive on engines 'til they weep
With future pixels in factories far away ..

After a month of giving carte-blanche to idiots to embarrass themselves, the 21st century incarnation of the Victorian freak show that is Britain's got Talent entered the first round of the semi finals this evening. There has been some weird shit, but it's still infinitely more preferable to X-factor, if only because it offers a little more variety and we don't have the gruelling week-on-week repetition of contestants telling Simon that his negative feedback only gives them determination, even if he hasn't opened his mouth yet.

We, the Great British public, have so far chosen the Welsh choir group Only Boys Aloud and Ashleigh and Pudsey, the girl with the dog. The former I guess is kind of heartening because they seem to have genuine talent and offer something a little different to the usual nameless singers and oh so fucking boring street-dance groups, and if they win, they may face more interesting prospects than trooping sadly back to the cold Welsh valleys from whence they came.

Ashleigh and Pudsey - it's a girl and a performing dog. It's pretty cool but until the dog plays an instrument it probably won't be a winner.

Who have we lost along the way so far?

Analiza Ching - the Chinese violinist. Should be there instead of the dog. Amazing talent. Even more amazing boobs. Sue me, it's true.

Rachel Knowland - sung a song. Had the Natalie Portman in V for Vendetta look, but that's about it.

The Mend - they got the white street-rapper thing and boy band hand moves down, but they also had the faces of 40 year old kebab shop owners.

United We Stand - Diversity did it three years ago and better.

The Jive Aces - not untalented, but more of a yorkshire working mens club entertainment troupe than Royal Variety Performance.

Lauren Thalia - she was pretty stonking at guitar and singing for a 12 year old, but seriously, her confidence and 40-year-old-woman-trapped-in-a-childs-body thing was just unnerving. A sweet rich child who will probably grow up to be a bitch. Will probably call people 'honey' and 'sweetie'. And she had an annoying laugh.

Zipparah Tafari - where me keys? Where me phone? Have you ever been in that situation, where you lost your keys and your mobile phone and your fucking mind? It's depressing he even got this far.


There we have it. I think it's on every night this week, I might do an entry for each one.

Wednesday, 2 May 2012

Anonymity

City's breakin' down on a camel's back,
They just have to go 'cos they don't know whack,
So while you fill the streets it's appealing to see,
You won't get out the county, 'cos you're mad and free ..

Anonymity is amazing.

I’ve been meaning to try and work this post into conversation with people, as it helps to explain a habit of mine which has become far more frequent in this final year of university life.

About October-November time last year, I began taking long walks around town, usually late at night. In these early days it was more of a distraction than anything else, a way of clearing my head and getting away from what we were realising was going to become an even more hellish workload. However, as it went on I started to realise that it was less of a semi-therapeutic escape from stress than a desire to be a random everyman to passers-by (random in the true sense of the word, not the crappy one which has been by hijacked by anyone who considers themselves remotely quirky).

The anonymity thing goes back to my first year. Back then, fresh out of school among an uncountable number of new faces, there was the best chance one could have to re-invent oneself; to become a new ‘you’, cast off any habits that you weren’t fond of and simply adopt a new mindset for a new stage of life. The beauty of this was that none of these new peers would recognise a change; rather they would accept this as the ‘you’ you had always been.

Admittedly I didn’t do the best job I could have, but it was almost a thrill to realise that it was possible. Then inevitably, whatever persona you had chosen for yourself became the norm and altering it remained as much of a challenge as it always had been. The updated me, with whatever improvements or changes had been made, had been somewhat set in stone with this new group of friends and course-mates.

This changed again in Germany, though this time with the advantage, to some extent, of a language barrier: new friends could be made and the chance to be a different person arose again, but any alterations that might be perceived as negative could be shrugged off and attributed to misunderstanding or differences in culture. This example is true for the people I was in close contact with. Amongst the population of the town however, it was even better. It wouldn’t be an over-estimate to say that virtually everyone in the tiny town where I was working recognised or at least knew of me, so meeting strangers in the street and chatting to them was amazing, simply because I could dispel or encourage (even to the extent of telling little white lies) any pre-conceptions they had of me. This was perhaps one of the most rewarding aspects of the year.

It is in some sense a mask which hides anything that you feel unable or unwilling to change (feel free to make inadequacy jokes from this point.) This is probably where my love for masks at times like Halloween comes; being disguised is far more interesting than being you with a pair of cat ears.

Which leads us to my aforementioned habit. I naively underestimated the range of people that one can come across in a large city. Walking round Leeds at night, one can meet more interesting and story-worthy people than in a whole day spent on campus. Night is infinitely better because people are at their most open, namely drunk, homeless, and generally more likely to be sociable.

And these random encounters, which you don’t even have to go out of your way to find, are fantastic. Because these people know nothing about you, there is a slim chance of ever coming across them again, and all the feelings of that first, wonderful year come flooding back. Their judgment, if any, is irrelevant. Judgment from people has never really phased me, but it’s never as interesting coming from your friends as it is from people you are making your first and probably only impression upon. You can re-invent yourself between streets, change your name, your accent, be as charming, as confident, as interesting or as much of a stand-offish dickhead as you choose. Anonymity is my buzz.

Concerning the negative personas, this isn’t of course to say that you go out of your way to be a dickhead. It’s just liberating sometimes to act completely out of the norm under the legitimacy of being just another weird guy or drunken bigot that you don’t have to walk more than five minutes to come across on the average night.

It’s a weird habit. I don’t deny that. And this isn’t to say that any of my friendships are stale or I worry about changing my habits amongst them, it’s simply that the thrill of being someone else of your choice, if only for a night, occasionally outweighs the more solid relationships of everyday life.

There’s probably some weird Freudian explanation for this, but it’s better than some of the current theories involving prostitutes, drugs and nervous breakdowns. It’s just nice to be someone different for a change, yeah? Man, you sure are a stickler for details.